Knowing Akhil Bhartiya Marathi Chitrapat Mahamandal

 

We are the voice of one of the Maharashtra's most grounded and most dynamic businesses The Marathi Film and Television Industry. We seek to propel business and the craft of Marathi Filmmaking and commend its happiness around the country.

 

 


 

 

OUR PHILOSOPHY

 

     

 

 ABMCM means to encourage an expert stage where transparent talk can be occurred and whereby it can exist as the aggregate constrain in all its genuineness and think on any issues that go under the ambit of expert concern and pertinence.

Other than ensuring and improving the budgetary status of the individuals, ABMCM additionally advances and grows better relations between its individuals and different affiliations. The extent of capacity of ABMCM augments up to trading artistes, researchers, understudies of India with different nations.

Advancement and improvement of sound associations with relationship of the comparative soul, is additionally include among the destinations of ABMCM.

Helping the weaker area of general society, by presenting grants for instructive purposes, lodging plans and so on additionally beat the rundown of needs of the relationship by augmenting budgetary help at the season of common disasters.

The individuals, ABMCM, likewise make it right for its individuals to keep up and create self-control and expert and social morals among individuals. Being the operational hub of data with respect to the cine Artistes in the business, ABMCM's advantage and pertinence of such an association originates from the aggregate endeavors will pay where singular exertion couldn't be succeed?

 

ABMCM additionally prepares and add to expressions of the human experience of activity, move, music, dramatization or different expressions in the cine field or some other workmanship by building up organizations and to pay grants, prizes, legitimacy endorsements and regarding the researchers.

To distribute diaries, magazines and so on for creating Craftsmanship, Society, General Information, and so on and consequently add to the general advancement of the artists.ABMCM think of it as their benefit and expert commitment to the developing cine industry of Marathi to direct dramatizations, star-evenings, move and music exhibitions, bunch talks, and so forth to help up the imaginative soul and yearnings of the craftsmen taking part in it.

Shield the individuals from unemployment and if feel important to help the qualified and poor individuals with monetary help.

The authoritative progression of ABMCM plainly makes an obvious division of obligations and obligations 

By and large to buy or offer, tackle credit or in return, contract or generally get any unfaltering or portable property and any rights or benefits which the general public may think vital or advantageous for any of the reasons for which it is set up. To make, acknowledge, underwrite and execute advances, bill of trade and other debatable instruments and to make and give receipts, discharges and other release for cash payable to the general public additionally go under the domain of ABMCM.

 

To do all such different things as are accidental or helpful for the accomplishment of the above articles.

 

To amass and meet, to offer addresses, to talk about and to do research and to foresee a brilliant future for the cine society and its presence reasonably totals up ABMCM's destinations.

 

 

 

 


 

   

FOUNDERS OF ABMCM

V.Shantaram

Baburao Pendharkar

Bhalaji Pendharkar

G.D.Madagulkar

V.S.Khadekar

SulochanaBai

Sudhir Fadake

Raja Paranjape

Vinayak Saravaswate

Anant Mane

 


 

 

DIRECTORS OF ABMCM [1966-1993]

V.Shantaram
[1966-67]

Bhalaji Pendharkar

[1967-71]

Sudhakar Khot
[1971-76]

V.Shantaram
[1976-80]

Sudhir Phadake
[1980-83]

Vishwas Sarpotdar
[1983-86]

Prabhatkumar
[1986-87]

Ram Kadam
[1987-89]

Kamalakar Torane
[1989-90] 

Ramdas Phutane
[1990-93]

 


 

 

 

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Director: Ashish Bhelkar

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Director: https://www.youtube.com/watch?v=p03KwOEip-c

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8 Don 758
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A B K | अ ब क
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Director: Omi Vaidya

Writer: Amruta Hardikar and Omi Vaidya

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Aaichya Gavat Marathi Bol
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Director: Kavishwar Marathe

Writer: Kavishwar Marathe

Actors: Suyog Gorhe, Mitali Mayekar, Rahul Patil, Swapnil Kale, Akshay Hadke, Rupali Gaykhe, Rupali Jamkar, Devroop Sharma

Aamhi Befikar
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Director: Satish Rajwade

Writer: #

Actors: Nana Patekar, Sumeet Raghavan, Iravati Harshe

Aapla Manus
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Director: Ananth Mahadevan

Writer: "Ananth Mahadevan Mahendra Patil"

Actors: Dilip Prabhavalkar Rohini Hattangadi

Aata Vel Zaali
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Director: "Siddhant. A. Sawant "

Writer: "Siddhant. A. Sawant "

Actors: "Mohan Agashe Suhas Joshi Suhrud Wardekar Vaishnavi Karmarkar "

Aathvani
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Director: "Ashish Avinash Bende "

Writer: "Ashish Avinash Bende "

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Aatmapamphlet
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Director: Kabir Lal

Writer: Nikhil Katare, Chetan Kinjalkar, Kabir Lal

Actors: Manjari Fadnnis as Senika / Sayli, Pushkar Jog as Husband Role, Anant Jog as Sherya's Father, Ajay Kumar Singh as Inspector Deepak

Adrushya
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Director: "Paritosh Painter "

Writer: "Paritosh Painter "

Actors: "Siddhartha JadhavJonny Lever Tejaswini Lonari Shweta Gulati Vijay Patkar Paritosh Painter "

Aflatoon
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Director: Aditya Ingale

Actors: Subodh Bhave Mukta Barve Atul Parchure Anand Ingale Madhura Welankar Umesh Kamat Shruti Marathe

Alibaba Aani Chalishitale Chor
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Director: Suhas Desale

Actors: Rahul Deshpande Pallavi Paranjape

Amaltash
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Director: Sameer Vidwans

Writer: Karan Shrikant Sharma

Actors: Bhagyashree Milind, Lalit Prabhakar, Geetanjali Kulkarni

Anandi Gopal
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Director: Samir Ramesh Surve

Writer: Mayuresh Madhav Joshi

Actors: Subodh Bhave as Aniket, Shruti Marathe as Rucha, Dr Girish Oak, Nirmitee Sawant, Kishori Ambiye, Vidyadhar Joshi, Rewati Limaye, Pratik Deshmukh

Ani...Dr.Kashinath Ghanekar
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Director: Sushrut Bhagwat

Writer: Sharvani Pillai & Sushrut Bhagwat

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Asehi Ekada Vhave
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Baap Manus
Many years after establishment of Maharashtra state Marathi film industry had grown like a tree, but in the absence of dedicated organization. Slowly and gradually Marathi film producers started coming together to produce films for soldiers’ entertainment during tough time of Chinese invasion and Pakistani war.
 

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